The project investigates the subtle relationship between technological innovation and religious objects through research on visual elements. By juxtaposing Daoist ornamental art with electronic components, the project seeks to discover alternative insights that emerge from coordinating binary components and reaching a middle ground beyond traditional religious aesthetic and technology. Through deconstructing visual elements, recombination experiments, and material interventions. The project demonstrates how traditional aesthetics and contemporary technology can coexist within a coherent visual language.